Everything about Oscar Hammerstein Ii totally explained
Oscar Hammerstein II (born
Oscar Greeley Clendenning Hammerstein) (
July 12,
1895 –
August 23,
1960) was an
American writer, producer, and (usually uncredited) director of musicals for almost forty years. He was twice awarded an
Oscar for "
Best Original Song", and much of his work has been admitted into the unofficial
Great American Songbook.
Youth and early career
Born in
New York City, his father, William, was from a non-practicing
Jewish family; his mother, née Alice Nimmo, was the daughter of Scottish immigrants and their children were raised as Christians. His grandfather was the
opera impresario and theater builder
Oscar Hammerstein I.
Although William, father of the younger Oscar, managed the Victoria Theatre for the elder Oscar and was an innovative producer of vaudeville (he is generally credited with inventing the "pie-in-the-face" routine), he was against his son's desire to participate in the arts. Oscar II entered
Columbia University under their pre-law program and it wasn't until his father's death on
June 10,
1914 that he went on to participate in his first play with the
Varsity Show entitled
On Your Way.
Throughout the rest of his college career the younger Hammerstein wrote and performed in several Varsity Shows. After quitting law school to pursue theater, Hammerstein began his first real collaboration with
Herbert Stothart,
Otto Harbach, and
Frank Mandel. He began as an apprentice, and went on to form a 20 year collaboration with Harbach. Out of this collaboration came his first musical,
Always You, for which he wrote the book and lyrics. It opened on
Broadway in 1921.
Throughout the next forty years of his life, Hammerstein teamed with many other composers, including
Jerome Kern, with whom Hammerstein enjoyed a highly successful collaboration. In 1927, Kern and Hammerstein had their biggest hit,
Show Boat, which is often revived and is still considered one of the masterpieces of the American musical theatre. Other Kern-Hammerstein musicals include
Sweet Adeline,
Music In the Air,
Three Sisters, and
Very Warm for May. Hammerstein also collaborated with
Vincent Youmans (
Wildflower),
Rudolf Friml (
Rose Marie), and
Sigmund Romberg (
The Desert Song and
The New Moon).
Rodgers and Hammerstein
Hammerstein's most successful and sustained collaboration, however, came in 1943 when he teamed up with
Richard Rodgers to write a musical adaptation of the play
Green Grow the Lilacs. Rodgers' first partner,
Lorenz Hart, was originally going to join in the collaboration but was too deeply entrenched in alcoholism to be of any use. The result of the new
Rodgers and Hammerstein collaboration was
Oklahoma!, a show which revolutionized the American musical theatre by tightly integrating all the aspects of musical theater, with the songs and dances arising out of the plot and characters. It also began a partnership which would produce such classic Broadway musicals as
Carousel,
Allegro,
South Pacific,
The King and I,
Me & Juliet,
Pipe Dream,
Flower Drum Song, and
The Sound of Music as well as the musical film
State Fair (and its
stage adaptation of the same name) and the television musical
Cinderella, all of which were featured in the
revue A Grand Night for Singing. Hammerstein also produced the book and lyrics for
Carmen Jones, an adaptation of
Georges Bizet's opera
Carmen with an all-black cast.
Oscar Hammerstein II is today considered one of the most important figures in the history of American musical theater. He was probably the best "book writer" in Broadway history - he made the story, not the songs or the stars, central to the musical, and brought it to full maturity as an art form. His reputation for being "sentimental", is based largely on the movie versions of the musicals, especially
The Sound of Music, in which a song sung by those in favor of pacification with the Nazis,
No Way to Stop It, was cut. As recent revivals of
Show Boat, Oklahoma!, Carousel, and The King and I in London and New York show, Hammerstein was one of the more tough-minded and socially conscious American musical theater artists. Oscar Hammerstein believed in love; he didn't believe that it would always end happily.
Death and honors
Hammerstein is the only person named Oscar ever to win an Oscar (
Academy Award). He won two Oscars for best original song—in 1941 for "The Last Time I Saw Paris" in the film
Lady Be Good, and in 1945 for "It Might As Well Be Spring" in
State Fair. In 1950, the team of Rodgers and Hammerstein received
The Hundred Year Association of New York's Gold Medal Award "in recognition of outstanding contributions to the City of New York."
Hammerstein died of
stomach cancer in his home in
Doylestown, Pennsylvania at the age of 65, shortly after the opening of
The Sound of Music on Broadway, thus ending one of the most remarkable collaborations in the history of the American musical theatre. The final song he wrote was "
Edelweiss" which was added during rehearsals near the end of the second act. To this day, many think it's an Austrian folk song. Sadly, he never lived to see
The Sound of Music made into the 1965 film adaptation which became internationally loved, won the
Academy Award for Best Picture, and became perhaps his most well-known legacy.
Universally mourned, with the lights of
Times Square and London's
West End being dimmed in recognition of his contribution to the musical, he was interred in the
Ferncliff Cemetery in
Hartsdale, New York. He was survived by his second wife Dorothy Blanchard Jacobson and his three children, William and Alice by first wife Myra Finn and
James by Jacobson.
Hammerstein's name is often mispronounced as "HAM-err-steen" . Hammerstein himself, however, pronounced it as "HAM-err-styne" .
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